Exhibitions are often the cortex of artists, like a balloon that we blow into a balloon through our daily breathing. It occupies space in different postures and invades the viewer's senses. The date of the exhibition is like a needle that pierces the work, and the things inside return to the daily life. When we withdraw the exhibition, we often think about it while collecting the space and folding the cortex. The work will be placed next to the studio, and it will continue to affect future breathing in a way that is not just idle. This exhibition is not just to present a balloon that flashes for a moment. We will reverse the relationship between the display and the generation behind it, and at the same time tell how the work should be extended in future life after it is produced.