Fair
ART TAIPEI 2024 - Mizuiro Workshop
BOOTH H09
Duration
2024.10.25 - 28
Mizuiro Workshop is excited to meet everyone at Booth H09 of 2024 Art Taipei!
This exhibition features works by two Taiwanese artists, Yang Zong-Jia and Fxiii, two Thai artists, Lampu Kansanoh and Uttaporn Nimmalaikaew, as well as a German artist Carsten Goering. These five artists bring together a diverse range of mediums including paintings, mixed media, embroidery, and three-dimensional works. Through their observations on social issues and relationships in everyday life, they present a unique artistic language of this generation.
Mizuiro Workshop is excited to meet everyone at Booth H09 of 2024 Art Taipei!
This exhibition features works by two Taiwanese artists, Yang Zong-Jia and Fxiii, two Thai artists, Lampu Kansanoh and Uttaporn Nimmalaikaew, as well as a German artist Carsten Goering. These five artists bring together a diverse range of mediums including paintings, mixed media, embroidery, and three-dimensional works. Through their observations on social issues and relationships in everyday life, they present a unique artistic language of this generation.
楊宗嘉 (台灣)
1992 年出生於臺灣
畢業於國立台南藝術大學材質創作與設計系
畢業於國立台南藝術大學應用藝術研究所
擅長使用陶瓷材料與纖維或組裝裝置作為創作表現，作品活躍於國內外的藝術展覽。曾獲得第九屆全國美術展雕塑組金牌獎、第六屆台南新藝獎首獎、第三屆台灣青年陶藝獎首獎等並典藏於和成文教基金會、驕陽基金會、阿肯色大學、上海工藝美術職業學院、Flower City Arts Center、全球策略投資基金。
YANG Zong-Jia (Taiwan)
Born in Taiwan in 1992,
graduated from the Department of Material Arts and Design at Tainan National University of the Arts, and later earned a master’s degree from the Graduate Institute of Applied Arts at the same university.
Specializing in the use of ceramics combined with fiber or assemblage installations as a means of artistic expression, [the artist] has actively participated in exhibitions both in Taiwan and abroad. Honors include the Gold Medal in Sculpture at the 9th National Art Exhibition, First Prize at the 6th Tainan New Art Award, and First Prize at the 3rd Taiwan Youth Ceramic Award. [The artist]’s works are held in the collections of the Herng Ching Cultural and Educational Foundation, Chia-Yang Foundation, University of Arkansas, Shanghai Arts & Crafts Vocational College, Flower City Arts Center, and Global Strategic Investment Fund.
Envoy of the Holy Horse 聖馬使
Porcelain、Glaze、Overglaze 、Gold
35x20x44cm
2025
鍾嘉駿 (台灣)
Circle
Charcoal & Acrylic
140X105cm
2025
生於1992 年的台灣，畢業於東海大學美術系。
他主要運用兩種媒材—炭筆和壓克力顏料，來反映創作過程中他的身體和精神狀態的轉變。炭筆的使用強調了自我意識和經驗本能的繪畫性，而壓克力顏料則代表結構化的規則，包括混合、測量和使用膠帶來設定界線。這些媒材象徵了鍾嘉駿對個體存在和社會關係的探索。2020 年，他獲得了由高雄市立美術館主辦的高雄獎。他的作品曾在台北、台南、台中、高雄、宜蘭、台東（台灣）、北京（中國）、貝魯特（黎巴嫩）和巴黎（法國）等各個城市展出。
CHUNG Chia-Chun (Taiwan)
Born in Taiwan in 1992, Chung Chia-Chun graduated from the Department of Fine Arts at Tunghai University.
His practice primarily employs two media—charcoal and acrylic paint—to reflect the transformations of his physical and mental states during the creative process. The use of charcoal emphasizes the painterly qualities of self-awareness and instinctive experience, while acrylic paint represents structured rules, including mixing, measuring, and the use of tape to define boundaries. Together, these materials symbolize Chung’s exploration of individual existence and social relationships.
In 2020, he received the Kaohsiung Award organized by the Kaohsiung Museum of Fine Arts. His works have been exhibited in cities including Taipei, Tainan, Taichung, Kaohsiung, Yilan, and Taitung (Taiwan), as well as Beijing (China), Beirut (Lebanon), and Paris (France).
Carsten Goering (德國)
卡斯滕・戈林（Carsten Goering，1982 年生）最初於萊比錫研習戲劇學，隨後在魏瑪包浩斯大學攻讀美術。之後，他進入萊比錫視覺藝術學院深造，專攻媒體藝術與繪畫，師從Christin Lahr 教授、Astrid Klein 教授與 Ingo Meller 教授。
戈林的繪畫作品，以壓克力與油彩在畫布上創作，透過大膽的色彩塊面與垂直梳齒般的格狀結構形成。不同力度的筆觸壓痕，營造出閃爍的線條網格。鮮明的色彩列與其間較輕柔的後層線條相互交織，使畫面表面產生流動感。
Carsten Goering (Germany)
With media art practicing as a background, Carsten Goering has developed a painting approach that is closely related to digital image generation. He often uses pure tones in his works, experimenting with various materials and layering techniques. Through the interplay of colors and textures, he transforms the pixel grids of media into a tangible presence. Transforming flat into three-dimensional presence, the still into lively, encouraging viewers to think about the deep relationship of images and colors, and find a connection between paintings and their presence in that time-space.
Adhara
Oil 、 Foil on Linen
60x50x4.5 cm
2025
Groundskeeper
Oil on Canvas
70x50 cm
2025
Vasilis Avramidis (希臘)
1981 出生於希臘。是一位以油畫創作為主的當代藝術家，他的作品以「不可能的風景」聞名。那些介於現實與想像之間的場景，往往帶有建築或其殘片的痕跡，營造出既熟悉又陌生的氛圍。Vasilis 的畫作常給人一種「凝固的劇場感」，像是等待故事發生的舞台，既詩意又帶點不安。這種氛圍讓他的作品在國際藝術圈中獲得高度關注。
Vasilis 的作品被收藏於多個國際私人收藏中，涵蓋英國、美國、日本、希臘、荷蘭、澳大利亞及塞浦路斯。此外，其作品亦被倫敦藝術大學及鹿特丹 In4Art 收藏。
Vasilis Avramidis ( Greece )
Born in Greece in 1981, Vasilis is a contemporary artist who primarily works in oil painting. He is best known for his “impossible landscapes”—scenes that exist between reality and imagination, often marked by traces of architecture or its fragments, creating an atmosphere that feels at once familiar and strange. His paintings often convey a sense of “frozen theatricality,” like a stage awaiting the unfolding of a story—poetic yet tinged with unease. This distinctive atmosphere has brought his work significant attention in the international art world.
Vasilis’s works are held in numerous private collections across the United Kingdom, the United States, Japan, Greece, the Netherlands, Australia, and Cyprus. In addition, his works are part of the collections of the University of the Arts London and In4Art in Rotterdam.
Christine Gisla (冰島)
Christine Gisla 是一位來自冰島的攝影藝術家，以攝影作為主要創作媒介。她的作品聚焦於生活、寂靜、剎那間的感觸以及冰島傳說等主題，細膩地探索冰島周遭環境的點滴。她時常凝思那些已不在身邊的存在，以及它們遺留的光輝，試圖透過攝影捕捉那轉瞬即逝的靈光。
她的創作擅長呈現光線的流動與時間的停駐，營造出靜謐而神秘的氛圍，引導觀者在畫面中自由遨遊，沉浸於內心的思緒與情感。她的照片蘊含著她個人生命故事的線索，這些線索與她在冰島自然中所感受到的獨特光線、美感、平靜及療癒力量交織融合，構成她作品的靈魂。
Christine Gisla ( Ísland )
Christine Gisla is a photographic artist from Iceland who works primarily with photography as her medium. Her practice centers on themes of life, silence, fleeting moments of perception, and Icelandic folklore, delicately exploring the nuances of her surrounding environment. She often contemplates presences that are no longer with us and the radiance they leave behind, seeking to capture that ephemeral brilliance through her lens.
Her works excel in rendering the flow of light and the suspension of time, creating an atmosphere that is both tranquil and mysterious. This invites viewers to wander freely within the image, immersed in their own thoughts and emotions. Embedded within her photographs are traces of her personal life story, interwoven with the unique light, beauty, serenity, and healing power she experiences in Icelandic nature—together forming the soul of her art.
之間（深夜）3
40cm, Fabric, 2024